These 2 Metro-sexual Punks Think They Can Tell Us About Climate Change.
As Christian Toto reports in Washington Times, all the movies with environmental themes flopped.
These included:
Bladerunner 2049, where eco-systems have collapsed – presumably because of man’s selfishness, greed, and refusal to amend his carbon-guzzling lifestyle – and food can now only be grown under hermetically sealed pods.
Stupid Liberals Think We Are Killing The Earth Because We Are Greedy And Selfish. This Coming From Dumb As Self-Centered, Drug Addicted Morons.
Mother!, where the Jennifer Lawrence character apparently symbolizes Mother Earth. According to the director Darren Aronofsky: “America is schizophrenic. We go from backing the Paris climate [accord] to eight months later pulling out. It’s tragic, but in many ways, we’ve revealed who the enemy is and now we can go attack it.”
They Want You To Believe That This Skank Jennifer Lawrence Is Mother Earth!
Geostorm, where the world is all but destroyed by the weather-controlling satellites which were designed to save it. (So: quite accurate, actually by Hollywood standards. A fine and plausible depiction of the unintended consequences of idiot, well-meaning scientists who think they have the power to ‘combat’ the natural process of ‘climate change’).
Liberals Have Been Saying That This Would Happen For Years And They Have Been Wrong.
Downsizing, where the eco-friendly Norwegians develop an ingenious way of coping with overpopulation: a ray which shrinks you to a fraction of your normal size, thus enabling humans to live more sustainably and deplete scarce resources at a much slower rate.
Matt Damon And These Perverts In Hollywood Want To Tell Us About Downsizing To Save The earth When They All Fly On Private Jets And Own Several Large Homes.
Al Gore’s An Inconvenient Sequel: Truth to Power, which opened at a measly four theaters in its first weekend and grossed $124,823.00.
Al Gore Needs His Ass Kick For Lying About Climate Change.
By its seventh week, it was doing so badly that even Captain Underpants: the Movie — released six weeks earlier — was outperforming it at the box office. Its takings were a fraction of its predecessor’s, An Inconvenient Truth.
Perhaps audiences had simply had enough of Gore’s scaremongering, as summed up in this scathing review in the Australian by Maurice Newman:
It continues the scaremongering of Gore’s An Inconvenient Truth. Like the first, it’s full of scary weather videos and features, Gore reminding us that we are at a tipping point with the result that our children will inherit a world of “stronger storms, worsening floods, deeper droughts, mega-fires, tropical diseases spreading through vulnerable populations in all parts of the Earth, melting ice caps flooding coastal cities, unsurvivable heat extremes, and hundreds of millions of climate refugees”. Facts don’t stand in the way of a good story. But, then, most who consider this movie a “must see” will take delight in having their fantasies and prejudices confirmed.
The movie shamelessly promotes green tech, a field in which Gore is a successful investor. His advocacy and political access are believed to have made him the world’s first “carbon billionaire”. But that’s the self-serving nature of climate-change politics. It confers wealth and privilege on its boosters. Doubters are banished.
The dire performance of these movies would seem to confirm what many of us have long suspected about the misplaced priorities of the liberals inside the Hollywood bubble.
They’ve deluded themselves that they’re in the consciousness-raising business. (Hence, e.g., the new woke Star Wars installment).
We still think they ought to be in the entertainment business.
Tramps have been silent on the perverts in Hollywood but now they can’t shut up.
America is falling out of love with the movies, and that is only because Hollywood fell out of love with us first.
Attendance Hits 22-Year Low
In 1995, the American population was 266 million. Today’s population has increased by almost 60 million, to 325 million. Nevertheless, despite a 22% increase, movie attendance in 2017 is exactly where it was in 1995. With just 1.26 billion tickets sold, a 4 percent decrease over last year, the left-wing Los Angeles Times reports that movie attendance has hit a 22 year low.
The news is not all bad. With price increases, overall ticket sales should only be about 2 percent behind last year. The international box office should see an increase of 2 percent. The bad news, however, is very bad…
The Shrinking Box Office Pie Creates Big Winners and Even Bigger Losers
To begin with, 51 percent of 2017’s total box office revenue was gobbled up by just 20 titles, leaving 145 wide releases to split up the rest. Two studios, Disney and Warner Bros., ate up 40 percent of the pie.
Hell yes we are idiots.
The Serial-Killing of Golden Geese Franchises
The worst news, though, is the 2016 and 2017 deaths of a number of franchises, which represent the golden geese of Tinseltown, the irreplaceable brands vitally necessary in an industry releasing fewer and fewer titles while becoming more and more dependent on $250 million all-in gambles that require a global take of $600 million just to break even.
Dead or faltering franchises include — Pirates of the Caribbean, Transformers, Planet of the Apes, Blade Runner, Cars, Alien, xXx, Underworld, Resident Evil, Smurfs, Justice League, Saw, Diary of a Wimpy Kid, Star Trek, Independence Day, Ghostbusters, Teenage Mutant Ninja Turtles, Divergent, Ice Age, Jack Reacher, The Da Vinci Code.
Franchises that exploded on take-off include — The Mummy, King Arthur, The Dark Tower, Valerian.
Oh, and 2017 also lost an entire genre — the R-rated comedy.
The Rare Breed of the Movie Star Is Getting Rarer
Also damaged are a number of once-reliable actors who could at least ensure a respectable opening.
Matt Damon has three epic flops on his résumé this year, Downsizing (a catastrophe that opened wide Friday and will not clear $10 million), Suburbicon (total gross $5.7 million), and The Great Wall ($45 million). Damon had already lost the goodwill of Red America with his obnoxious politics. His recent statements downplaying Hollywood’s sexual misconduct scandal have probably cost him everyone else.
Add to that list Jennifer Lawrence, whose big, ignorant, bigoted mouth has turned her into box office poison. This year’s Mother! was a massive flop that opened to just $7.5 million and topped out at $17 million. Last year, her big-budget Christmas release, Passengers, crashed and burned with just a $14.8 million opening. X-Men: Apocalypse, Joy, and the final two chapters of the Hunger Games series all under-performed.
After the surprise success of Trainwreck, Amy Schumer seemed poised to own the comedy box office, but her own polarizing, ignorant mouth appears to have undone her career before it really began. Despite co-starring with the much-beloved Goldie Hawn in Snatched, the $42 million comedy lost tens of millions with a total worldwide gross of just $61 million.
Thank You For Your Service wisely hid Schumer’s participation, but word still leaked, and it is not unreasonable to believe that had something to do with its box office humiliation of just $9.4 million.
Star Wars Stumbles
Even The Last Jedi, while still a smash, is under-performing. After eight days, the eighth chapter in the iconic franchise has grossed an impressive $321 million, but that is $120 million behind The Force Awakens, and even trails Jurassic World by $4 million.
The Last Jedi looks to be on pace to squeak over $600 million domestic, some $300-plus million behind its predecessor. Moreover, when you adjust for inflation, chapter eight will fall way behind the much derided prequel, ThePhantom Menace ($807 million), and way behind The Empire Strikes Back and Return of the Jedi ($877 million and $840 million, respectively).
Hollywood is a Den of Sex Abusers, Enablers, and Victims
Already we know of 108 alleged monsters in Harveywood, the talent drain is already unlike anything the industry has ever seen, and the scandal feels as though it is still only at the end of the beginning.
